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<\/figure><\/li><\/ul><\/a><\/a><\/a><\/div><\/div><\/div>\n\n\n\nAFTER<\/strong> PHOTOS:<\/strong> Billy Hustace Photography; BEFORE PHOTOS:<\/strong> Marcy Wong<\/p>\n\n\n\n
PROGRAM<\/h4>\n\n\n\n
The project\u2019s architectural layout follows rather than resists the building\u2019s strong symmetry. Upon entrance from the street, one arrives into the Gallery whose axis is reinforced by continuous ridge skylights along the center-line of the room. The skylights softly diffuse natural light throughout the exhibit Gallery and Mezzanine. At the opposite end of the 2-story-high Gallery is a new stair\u2014also centered on the ridge axis\u2014leading to the Mezzanine. <\/p>\n\n\n\n
The Mezzanine overlooks the main Gallery and contains an open office for staff and seating areas for visitors. Below the Mezzanine and beyond the Gallery are utility areas (bathroom, storage, kitchenette), a library, and a large table used for work and dining. At the rear wall is an existing door opening, leading to an urban garden. <\/p>\n\n\n\n
MATERIALS<\/h4>\n\n\n\n
The materials used for the project’s architectural elements, flooring and furniture make use of much of the wood salvaged from deconstructing parts of the original building. This use of recycled and local materials not only embraces the many positive characteristics of wood, including low embodied energy, low carbon impact and sustainability, but also helps achieve the architectural sensibility that the client and architect envisioned. Recycled wood, existing unreinforced brick, and new steel braces for seismic upgrade form the palette of architectural and structural materials in the\nproject.\n<\/p>\n\n\n\n
The structure is exposed to create a spatially dramatic context for the exhibited art while not visually overwhelming it. The welcoming nature of the spaces is in marked contrast to the subject matter of the artist\u2019s work. For example, a recent exhibit mockup consisted of photography that documented environmental ravages resulting from industrialization, natural disasters, petrochemical manufacturing and weapons testing. This juxtaposition of the Gallery\u2019s architectural ambiance and the art\u2019s unflinching depictions of reality is striking. <\/p>\n\n\n\n
RECYCLE | RESTORE | REUSE | RENEW\n<\/h4>\n\n\n\n
A notable aspect of this project is the extent to which the materials used for the construction of the architectural elements, flooring and furniture are salvaged wood; in many cases, harvested while deconstructing parts of the original building. The project exploits the recycled wood for the ground- level flooring material, for framing and flooring of the Mezzanine, as well as for heavy-timber for the stairs. Of note are the new wood trusses, which enhanced by a series of ridge skylights, softly diffuse natural light throughout the space. Because most of the wood is salvaged and recycled from the original construction, there are no manufactured finished wood products. The old wood flooring has been sanded, cleaned and refinished. <\/p>\n\n\n\n
STRUCTURAL SYSTEM <\/h4>\n\n\n\n
The original building was a modest gable-roofed\n\u201cshoebox\u201d of unreinforced brick masonry (URM)\nwalls, a wood second floor and wood roof structure,\nconstructed in the first half of the 20th century.\nThe original URM walls\u2019 structural resistance to\nearthquakes was woefully inadequate; whatever\nseismic value existed from that construction was\nreliant upon what the intermediate floor and roof\ncould provide. The following was done to strengthen\nthe shell:\n<\/p>\n\n\n\n
- Internally exposed steel framing and bracing were installed in the planes of URM walls. <\/li>
- Structural shear diaphragms were provided at the new Mezzanine and the existing roof. <\/li><\/ul>\n\n\n\n
The wood-framed Mezzanine built using wood salvaged from the deconstruction of the original building provides functional floor area and an intermediate-height shear diaphragm with steel\nbraces, working with the wood structure to form a\nhybrid structural system.\n<\/p>\n\n\n\n
The structural engineer determined the salvaged wood was, in fact, recycled wood that was harvested from the building itself. There was no visible damage and\/or degradation (termites, dry-rot, etc.). It was calculated that the \u201c2- by 8-\u201d salvaged wood joists had enough strength and stiffness to support the Mezzanine loads. (The actual dimensions of the members were full-dimensioned, predating modern sizes.) <\/p>\n\n\n\n
FINISHES\n<\/h4>\n\n\n\n
Wood is the dominant material in the roof structural system (trusses and shear diaphragm), as well as in the newly constructed Mezzanine and recycled wood stair. The fir and redwood materials salvaged from the original building are about a century old. They are beautiful as exposed finishes\u2014retained by design as a testament to the endurance of wood. <\/p>\n\n\n\n
The original wood flooring presented an opportunity\u2014recognized by the owner\u2014for enriching the rejuvenated character of the space. A simple treatment to the floor was executed, using non-toxic floor cleaner and finish products. Misrach observes: \u201cThe wood floor is full of amazing colors, subtle and strong from years of paint drips to the recent random reconfiguration from re-installation. It has a unique character, a history, that seems to only need being mopped or washed well and then finished. This is quite unique and beautiful … .\u201d <\/p>\n\n\n\n
RETROFIT TEAM<\/h3>\n\n\n\n
ARCHITECT and METAMORPHOSIS AWARDS WINNER: <\/strong>Marcy Wong Donn Logan Architects<\/a>, Berkeley, Calif. <\/p>\n\n\n\n
STRUCTURAL ENGINEER: <\/strong>Gregory P. Luth & Associates Inc.<\/a>, Santa Clara, Calif. <\/p>\n\n\n\n
GENERAL CONTRACTOR: <\/strong>Gold Spring Construction Co., Oakland, Calif., (510) 238-8388 <\/p>\n\n\n\n
LIGHTING DESIGNER: <\/strong>Architecture & Light, San Francisco <\/p>\n\n\n\n
MILLWORK CONTRACTOR: <\/strong>Ross Craig<\/a>, Oakland<\/p>\n\n\n\n
HVAC DESIGN BUILD: <\/strong>Harry Clark Plumbing and Heating Inc.<\/a>, Oakland <\/p>\n\n\n\n
MATERIALS<\/h3>\n\n\n\n
LAVATORIES, WATER CLOSETS: <\/strong>Toto <\/a><\/p>\n\n\n\n
POCKET DOOR HARDWARE:<\/strong> Emtek <\/a><\/p>\n\n\n\n
SKYLIGHTS: <\/strong>Skylight & Sun <\/a><\/p>\n\n\n\n
BRICK SURFACE SEALANT: <\/strong>Xypex <\/a><\/p>\n\n\n\n
LIGHTING CONTROLS, DIMMERS: <\/strong>Lutron<\/a> <\/p>\n\n\n\n
LED LAMPS FOR ART LIGHTING: <\/strong>Soraa <\/a><\/p>\n\n\n\n
TRACK-MOUNTED LIGHTING: <\/strong>Lightolier<\/a><\/p>\n\n\n\n
LOW-VOLTAGE LIGHTING: <\/strong>WAC Lighting<\/a> <\/p>\n\n\n\n
UPLIGHTING GALLERY CEILING: <\/strong>Ecosense <\/a><\/p>\n\n\n\n
SUSPENDED INCANDESCENT LAMP: <\/strong>IKEA<\/a> <\/p>\n\n\n\n
GOOSENECK WALL-MOUNT LED LIGHTING: <\/strong>TMS Lighting Inc.<\/a> <\/p>\n\n\n\n
SURFACE-MOUNT LINEAR LED: <\/strong>Lithonia Lighting<\/a> <\/p>\n\n\n\n