DEVELOPER:<\/strong> Hendricks Commercial Properties<\/a><\/p>\n\n\n\n OWNER\/OPERATOR:<\/strong> Geronimo Hospitality Group<\/a><\/p>\n\n\n\n WINDOW DISTRIBUTOR:<\/strong> G-2 Architectural Products<\/a><\/p>\n\n\n\n WINDOW INSTALLER:<\/strong> National Glass & Hardware LLC<\/a><\/p>\n\n\n\n Julie Zent, historic window specialist for RATIO Architects, took on the intricate task of matching the 150-plus original wood windows that had once complemented the Coca-Cola Bottling Plant\u2019s decorative exterior. Throughout the nearly two-year process, she worked with Dan Kovas of G-2 Architectural Products to orchestrate window design details, specifications, updates and product delivery.<\/p>\n\n\n\n All historical replications were sourced through Weather Shield whose team of architectural window specialists combined artistry and technical expertise to match original specifications while adding modern features.<\/p>\n\n\n\n To qualify for historic rehabilitation tax credits and receive local historic district approval, Zent coordinated with the Indianapolis Historic Preservation Commission, Indiana State Historic Preservation Office and National Park Service. The sign-off process called for close communication and cooperation because approvals at all three levels were essential.<\/p>\n\n\n\n For a project of this magnitude, the design team needed to create models in advance before production. Although most of the bottling-plant windows had been discarded in favor of low-cost replacements, a few of the originals remained in garages onsite. Dave Kroll, director of preservation for RATIO Architects, notes, \u201cAlthough deteriorated, they were able to get accurate dimensions from those windows, which allowed us to eventually duplicate the design.\u201d<\/p>\n\n\n\n \u201cThe exciting part of obtaining the artifact samples was that the Weather Shield crew initially created a plastic 3D printer replica of the wood components, so the architects could make modifications before we moved into the shop-drawing phase,\u201d Kovas explains. \u201cThis added precision to the operation and ultimately accelerated the timeline for approval.\u201d<\/p>\n\n\n\n Once the detailed side-by-side shop drawings of the original unit and the proposed replication were finalized, the Weather Shield team was able to create a full-sized mockup in its workshop.<\/p>\n\n\n\n The resulting design included three customized Weather Shield components\u2014brick mould, sash lug and bottom sill. In addition, the team matched the original exterior Coca-Cola paint color and provided several historically accurate stains and colors for the various interior spaces, including a designer stain to match the paneled office spaces.<\/p>\n\n\n\n \u201cThe window replication process is complex. Fortunately, our local and state people worked well together to reach consensus. Discussion on changes often included up to nine people weighing the pros and cons and working toward resolution,\u201d Zent explains.<\/p>\n\n\n\n One of those early discussions occurred at the mockup installation site, where a group of developers, architects and historical advisors gathered to view the product and compare the details to one of the original units. The side-by-side contrast created a then-and-now visual that displayed the craftsmanship that went into the beautiful replication. Onlookers were able to see the window as it looked nearly 100 years ago\u2014with modern weatherproofing added to the design.<\/p>\n\n\n\n \u201cWeather Shield pulled their team together so quickly to get the job done,\u201d Kovas notes. \u201cThey were the first to produce a mockup, which allowed time for the various contributors to provide feed- back. Some minor tweaks were requested, but the core design was approved the first time around, which is seldom the case.\u201d<\/p>\n\n\n\n Although the original windows were double-hung, the design team required the sashes to be fixed in place for climate-control purposes, whereas the garage windows were designed to be fully functional double-hung units. All specified product directives were completed at the manufacturing plant before shipping.<\/p>\n\n\n\n Zent notes: \u201cWeather Shield provided 14 different sizes in four separate configurations. Due to the complexity of the terra-cotta restoration, openings varied in size throughout, resulting in subtle modifications to multiple units.\u201d<\/p>\n\n\n\n Sean Edwards of National Glass & Hardware LLC worked with the window team from the early days of the mockup. His crew carefully removed the old units while working in tandem with terra-cotta artisans repairing any of the delicate crumbling components.<\/p>\n\n\n\n \u201cThe installation was implemented in phases as different portions of the fa\u00e7ade neared completion,\u201d Edwards recalls. \u201cWe installed the windows in various sizes, and all were extremely maneuverable. Weather Shield did a great job creating the right look to match the originals.\u201d<\/p>\n\n\n\n HISTORIC-REPLICA WINDOW MANUFACTURER:<\/strong> Weather Shield<\/a><\/p>\n\n\n\n The 1930s-era Art Deco Indianapolis Coca-Cola Bottling Plant employed thousands of workers throughout some of the nation\u2019s most turbulent decades. In the 1960s, when plant owners moved their expanding bottling operations to Speedway, Ind., they left behind one the city\u2019s most beloved landmarks. After years of steady deterioration, Hendricks Commercial Properties saved the architectural gem and initiated a grand restoration project for the long-neglected Bottleworks District.<\/p>\n\n\n\n RATIO Architects transformed the fading North Mass Avenue property into a 139-room boutique hotel and garage food hall while resurrecting its past splendor. This anchor project launched Phase 1 of the much anticipated $300 million overhaul.<\/p>\n\n\n\n \u201cWe get into buildings that have been around for a long time for good reason\u2014they are well-built and have served a significant and worthwhile purpose in society,\u201d explains Dave Kroll, director of preservation for RATIO Architects. \u201cWe retain as many of the features and materials as possible and replicate what cannot be saved.\u201d<\/p>\n\n\n\n The original Coca-Cola Bottling Plant and garages comprised the oldest and most lavish structures in the Bottleworks complex, and great care was taken to preserve the historical integrity of the design. One of the site\u2019s most treasured features, the exquisite terra-cotta fa\u00e7ade, had steadily deteriorated because of weathering and neglect. A team of specialty masons took painstaking efforts to repair and restore the exterior to its original grandeur\u2014blending skill, patience and artisan wizardry.<\/p>\n\n\n\n In addition to the ornate exterior restoration, the RATIO Architects team designed the stunning Art Deco interior spaces, including an impeccably refurbished lobby filled with colorful polished tile and shining brass fixtures.<\/p>\n\n\n\n The hotel welcomed its first guests Dec. 15, 2020. The Garage Food Halls unveiled 14 restaurants and shops on Jan. 5, 2021.<\/p>\n\n\n\n\n\n\n\n ARCHITECT, ELECTRICAL ENGINEER, GRAPHIC DESIGN, HISTORIC PRESERVATIONIST AND MECHANICAL ENGINEER: <\/strong>Cushing Terrell<\/a><\/p>\n\n\n\n OWNER:<\/strong> National Park Service<\/a><\/p>\n\n\n\n The following is a sampling of materials used in the project: WALLCOVERING:<\/strong> Koroseal <\/a><\/p>\n\n\n\n CUSTOM WALLCOVERING:<\/strong> TRI-KES<\/a><\/p>\n\n\n\n WINDOWS: <\/strong>Oldcastle BuildingEnvelope <\/a><\/p>\n\n\n\n SCULPTED WALL PANEL:<\/strong> Innovative Accents<\/a><\/p>\n\n\n\n ACCENT WALL TILE (FOOD LINE): <\/strong>Modwalls<\/a><\/p>\n\n\n\n PAINT: <\/strong>Sherwin-Williams<\/a><\/p>\n\n\n\n LARGE STAR PENDANTS:<\/strong> Original to the Building and Painted to Match the Historic Colors <\/p>\n\n\n\n LINOLEUM:<\/strong> Forbo<\/a><\/p>\n\n\n\n ACRYLIC PANELS (BAR AND RESTAURANT):<\/strong> 3form<\/a><\/p>\n\n\n\n FURNITURE:<\/strong> HF Collection <\/a><\/p>\n\n\n\n CUSTOM MID-CENTURY-MODERN-PATTERNED LAMINATE TABLETOPS:<\/strong> Wilsonart<\/a><\/p>\n\n\n\n Balancing a rich history, delicate environment and modern needs, Cushing Terrell renovated the Canyon Lodge at Yellowstone National Park to restore the structure\u2019s original vibrancy and character. Cushing Terrell executed a holistic renovation of the lodge, removing cluttered layers and restoring the building\u2019s original openness.<\/p>\n\n\n\n Opaque walls between retail spaces were made semi-transparent to provide separation without intruding on the airiness of the 27-foot-tall space. The eating areas were redesigned and distributed throughout the building for fluency and definition. The design team worked directly with food and beverage management to ensure their specifications were met.<\/p>\n\n\n\n Cushing Terrell\u2019s architectural, electrical, and mechanical designers worked together to ensure the building was properly and sustainably heated, ventilated and illuminated. In addition, exterior signage and interior wayfinding were thoughtfully designed and integrated to emulate the retro spirit of the building and to bolster function and lifespan. This building is a contributing feature PHOTOS: Rex Connell<\/strong><\/p>\n\n\n\n\n\n\n\n ARCHITECT: <\/strong>SOSH Architects<\/a><\/p>\n\n\n\n Amidst beautiful beaches along the Atlantic Ocean, the world-famous Atlantic City Boardwalk is a beacon of year-round tourism, recreation and public events. The world\u2019s first and longest boardwalk provides access to a number of hotels, resorts, shops, casinos and more.<\/p>\n\n\n\n Following years of complaints from locals and tourists about the poor restroom conditions, the seven high-use bathrooms located along 4 1\/2 miles of the boardwalk underwent a major transformation to make them cleaner, more modern and family friendly. Atlantic City\u2019s Casino Reinvestment Development Authority (CRDA) oversaw the multi-million-dollar renovation of the 8,150 square feet of restrooms\u2014some measuring more than 2,000 square feet\u2014which were completely gutted and refurbished.<\/p>\n\n\n\n Some of the overriding goals for the project, according to Austin Gerber, senior associate and architect\/project manager with SOSH Architects, were to \u201cmake them convenient and durable enough for public use, easy to clean and maintain, touchless\u2014a feature that is especially timely in the age of COVID-19\u2014and consistent looking throughout all the bathrooms.\u201d<\/p>\n\n\n\n In addition to replacing fixtures; toilets; urinals; and installing new heating, plumbing and ventilation systems, the project team specified Bradley\u2019s all-in-one WashBar with touch-free soap, water and hand dryer in one single chrome-plated component. The handwashing systems are featured in seven comfort stations along the boardwalk, including men\u2019s and women\u2019s restrooms, for a total of 14 bathrooms.<\/p>\n\n\n\n \u201cI\u2019ve specified Bradley\u2019s products for years and had been curious about the all-in-one concept of the WashBar,\u201d says Arley Sochocky, Interior Design Studio manager with SOSH Architects. \u201cAfter I experienced the unit in person, I knew the WashBar would be perfect for this application. Not only is it highly durable and easy to use, it\u2019s completely touch-free, modern, streamlined and super functional.\u201d<\/p>\n\n\n\n The WashBar\u2019s integration of soap, water and dryer into one fixture eliminates deck and washroom clutter, Gerber says. \u201cThere was no need to map out separate spaces, hookups and wiring for individual soap dispensers, faucets and hand-dryer components,\u201d he says. \u201cInstallation was also easy and straightforward.\u201d<\/p>\n\n\n\n Seamless, OmniDeck made of Terreon solid surface was specified along with the WashBar. <\/p>\n\n\n\n \u201cThe tonality of these integral handwashing systems complement the bathrooms\u2019 tile floors and walls, which have neutral hues with warm accents. All of these aesthetics tie back to the boardwalk while keeping the materials and color palette of the restroom facilities consistent across all restrooms,\u201d Sochocky notes.<\/p>\n\n\n\n \u201cAs a tourist destination, we realize the importance of having clean restrooms and providing a higher standard for visitors and their families,\u201d says CRDA Executive Director Matt Doherty. \u201cThese improvements, including the WashBar\u2019s performance, greatly increase the Atlantic City tourism experience.\u201d<\/p>\n\n\n\n WASHBAR MANUFACTURER: <\/strong>Bradley Corp.<\/a><\/p>\n\n\n\n\n\n\n\n ARCHITECT AND INTERIOR DESIGNER:<\/strong> DMAC Architecture<\/a><\/p>\n\n\n\n STRUCTURAL ENGINEER:<\/strong> Rockey Structures LLC<\/a><\/p>\n\n\n\n ENGINEER: <\/strong>WT Group<\/a> <\/p>\n\n\n\n CONTRACTOR: <\/strong>41 North Contractors<\/a><\/p>\n\n\n\n FOLDING DOOR DISTRIBUTOR:<\/strong> Bricks Inc.<\/a><\/p>\n\n\n\n The visually intriguing structure that is now Greenwood American Kitchen & Bar began decades DMAC Architecture saw something else: A chance to honor the building\u2019s history and create a modern aesthetic through a combination of adaptive reuse and new construction.<\/p>\n\n\n\n DMAC chose to keep the existing structure intact, exposing an interior concrete block wall layered with paint and other imperfections for an urban feel. Original garage door openings were outfitted with modern glass doors that allow movement and views. The floor plan was segmented to allow multiple seating configurations and efficient service while maintaining visual unity throughout.<\/p>\n\n\n\n Warm wood furnishings, fabrics, and wooden walls backed with black insulation boards offset the concrete surfaces and soften the appearance and acoustics of the space.<\/p>\n\n\n\n The east dining lounge, one of two additions to the original structure, opens onto the terrace using LaCantina\u2019s zero post corner system and two LaCantina folding door systems that erase the boundary between indoors and outdoors.<\/p>\n\n\n\n \u201cAt the east dining room, there is an open corner that is cantilevered with no structural post. It was a unique condition where we wanted to enhance the physical and visual relationships between the indoor dining space and outdoor terrace. LaCantina folding doors worked seamlessly to accomplish our design vision,\u201d says Dwayne MacEwen, DMAC Architecture principal and creative director.<\/p>\n\n\n\n Another set of LaCantina folding doors connects covered patio dining with a second interior bar area.<\/p>\n\n\n\n \u201cWe chose LaCantina for the slim and modern frame profile to help maximize the glass opening. The door systems maximized opportunities to have a very open and fluid indoor-outdoor restaurant experience,\u201d MacEwen adds.<\/p>\n\n\n\n DMAC\u2019s respect for the past, eye for possibilities and careful attention to detail all contributed to the Greenwood project being named Best Renovation in the Best of LaCantina 2019 competition.<\/p>\n\n\n\n FOLDING DOORS AND ZERO POST CORNER SYSTEM MANUFACTURER: <\/strong>LaCantina<\/a><\/p>\n\n\n\n PHOTOS: LaCantina<\/strong><\/p>\n\n\n\n\n\n\n\n ARCHITECT:<\/strong> Dubbe Moulder Architects <\/a><\/p>\n\n\n\n OWNER:<\/strong> Old Growth LLC<\/a><\/p>\n\n\n\n GENERAL CONTRACTOR:<\/strong> Wilkinson Montesano Builders<\/a><\/p>\n\n\n\n CIVIL\/STRUCTURAL ENGINEER:<\/strong> Nelson Engineering<\/a><\/p>\n\n\n\n MEP ENGINEER:<\/strong> Energy 1 LLC<\/a><\/p>\n\n\n\n INTERIOR DESIGNER:<\/strong> GYDE Architects<\/a> <\/p>\n\n\n\n ROOFING CONTRACTOR:<\/strong> Salt River Roofing, (307) 885-3084<\/p>\n\n\n\n The following is a sampling of materials used in the project: <\/p>\n\n\n\n WINDOWS:<\/strong> Jeld-Wen<\/a> The Coe Cabin is one of the last remaining structures from Jackson\u2019s earliest years. Built in 1915, the structure was the home of Ed and Emily Coe. It was converted into a restaurant in 1976; locals knew the building as the Sweetwater Restaurant, which operated for more than 40 years.<\/p>\n\n\n\n When Sweetwater closed in 2017, the cabin, along with two other historic structures, were listed for sale. They were purchased by John and Shelley Holland, local preservationists willing to According to an article in Jackson Hole News & Guide<\/em>: \u201cTo buy the building another century, crews had to carefully and meticulously disassemble the walls and put everything back together. Rotting logs in the foundation needed to be replaced. Building codes and regulations require a delicate \u2018Goldilocks\u2019 balance to fix what\u2019s needed without triggering upgrades to meet current codes, which [John] Holland said could destroy the building\u2019s original character.\u201d<\/p>\n\n\n\n Kurt Dubbe, principal at Dubbe Moulder Architects and a historic preservation specialist, was brought on to retain the historic character of the original cabin and design an addition to be used as a bar, complete with a rooftop dining deck overlooking Snow King Mountain. \u201cWe didn\u2019t want to freeze Sweetwater in time,\u201d Dubbe told Jackson Hole News & Guide<\/em>. \u201cIts success and its future will depend heavily on human occupancy and human enjoyment.\u201d<\/p>\n\n\n\n The 18-month renovation entailed disassembling the entire building, carefully labeling each log so that the structure could be reassembled once the foundation and floor were replaced.<\/p>\n\n\n\n Today, the cabin has reopened as Coelette Restaurant. Even with the new addition and components, the building recalls Jackson\u2019s history. For example, the log walls likely were constructed from old-growth pines that grew on the Snow King Mountain hillside when the first settlers arrived.<\/p>\n\n\n\n Dubbe Moulder Architects was delighted to be part of the team that brought the cabin new life so it will continue to be a restaurant where diners from all over the world can appreciate its history and ambiance.<\/p>\n\n\n\n\n\n\n\n ARCHITECT:<\/strong> www.re-architecture.com<\/a><\/p>\n\n\n\n LIGHTING DESIGNER:<\/strong> AE Design Inc.<\/a><\/p>\n\n\n\n re:architecture created a contemporary Mexican restaurant experience within a former theater lobby while respecting the historic character of the Art Deco space. The interior concept was brought to life through Mexican artwork, custom light fixtures and furniture sourced from the owner\u2019s home state of Jalisco in Mexico.<\/p>\n\n\n\n The vision was to create three unique environments within the 6,000-square-foot restaurant: the bar area, the galleria that displays artwork and the indoor patio that connects to the outdoor patio. Each area required a custom lighting scheme that would tastefully highlight the interior architectural elements.<\/p>\n\n\n\n For example, the galleria now is a brilliantly colored dining room with a James Turrell-inspired color-changing ceiling cove. The cove uses concealed, slowly colored LED lighting to celebrate the tradition of color commonly used in Mexican architecture. \u201cWe wanted to unify the space, make it feel more expansive by making use of the higher ceiling, and enhance the dining experience with a subtle kinetic lighting effect,\u201d explains Addie Smith, a senior certified lighting designer at AE Design Inc.<\/p>\n\n\n\n The TLX RGB+TW Tape Light from PRIZM by American Lighting is located along the bottom edge at one side of an existing pop-up ceiling cove. Smith worked with Rick Epstein, founder and principal of re:architecture, to add a plastered curve to the inner corner of the cove to help carry the light around the inner surface for an infinity effect.<\/p>\n\n\n\n \u201cWe utilized the tape light based on its RGB and 2700K-6000K color options, output, local availability and affordability, along with its easy customization and long-term performance,\u201d Smith says. \u201cThe color options enable us to set the appropriate light levels to create the exact effect for the experience we wanted to deliver.\u201d<\/p>\n\n\n\n TAPE LIGHT MANUFACTURER: <\/strong>PRIZM<\/a> by American Lighting<\/p>\n\n\n\n\n\n\n\n ARCHITECT: <\/strong>JL Studio Designs<\/a> A wide assortment of New Orleans\u2019 colors within this restaurant extends all the way into the second floor\u2019s two restrooms. Described as \u201ctraditional New Orleans meets modern flair,\u201d the Mardi Gras-inspired women\u2019s and men\u2019s restrooms feature Scranton Products’ Aria Partitions.<\/p>\n\n\n\n \u201cUsed to produce six stalls and two urinal screens, the Aria Partitions were the perfect complement for this project,\u201d says Mary Kay Cowen, president of Waldo Brothers Inc. \u201cThey replaced the previous facility\u2019s dated metal partitions with these beautiful emerald green stalls and their raised paneling, which fit seamlessly into the restaurant\u2019s look and feel.\u201d<\/p>\n\n\n\n Made of durable HDPE for commercial and institutional environments, Aria Partitions were developed by Scranton Products to add an enhanced level of comfort and privacy, as well as elegance, warmth and charm, to virtually any enclosed or private room. The partitions reduce sightlines with a continuous edge-mounted hinge and greatly improve aesthetics with a design that does not use face-mounted hinges like traditional bathroom partition systems. Aria Partitions also are resistant to impact, graffiti, corrosion, mildew, bacteria and moisture.<\/p>\n\n\n\n \u201cThe grand reopening could not have gone better,\u201d explains Jacquelyn Lindsey, owner and lead designer at JL Studio Designs. \u201cEveryone from Tujague\u2019s loyal customers to its first-time guests loved the experience. Needless to say, the food was spectacular and everyone was mesmerized with every aspect of the restaurant\u2019s new design. The wow factor was everywhere. Some guests even took selfies in the restrooms with the Aria Partitions as a backdrop. Now that\u2019s a design compliment.\u201d<\/p>\n\n\n\n RESTROOM PARTITIONS MANUFACTURER: <\/strong>Scranton Products<\/a><\/p>\n\n\n\n Tujague\u2019s, an iconic French Quarter fixture of the New Orleans cultural landscape, has been serving culinary delights to customers for more than 160 years. To stay viable, the owners of the beloved establishment made the difficult decision to relocate the restaurant four blocks upriver. The nation\u2019s third-oldest restaurant now occupies an existing building with three floors and balconies overlooking the steamboats cruising along the Mississippi River.<\/p>\n\n\n\n \u201cA favorite of both locals and tourists since it first opened in 1856, Tujague\u2019s presented us with the formidable task of recreating the restaurant\u2019s long, colorful history and vibe in a new location,\u201d says Jacquelyn Lindsey, owner and lead designer at JL Studio Designs. \u201cThis included restoring the restaurant\u2019s Cajun ambiance in a new setting that not only comfortably embraced regulars, but also attracted younger customers desiring a five-star Creole dining experience.\u201d<\/p>\n\n\n\n JL Studio Designs recreated Tujague\u2019s renowned antique standup bar and filled the building\u2019s entire 3-story interior with the former site\u2019s vintage photos, memorabilia, artwork, chandeliers, newspaper clippings and miniature liquor bottle collection. The team also designed the green walls to look heavily aged with a custom faux finish while adding an assortment of gold, ornate mirrors and sconces to provide an extra layer of ambiance and visual flair.<\/p>\n\n\n\n Lindsey explains the meticulous specification of the restaurant\u2019s historic color palette: \u201cWe created a very vibrant New Orleans look and feel with a wide assortment of bright and bouncy colors that represent the city\u2019s festive culture. Each tier has its own personality. While the first floor\u2019s white and walnut-stained wall paneling is more traditional, the third is filled with lots of gold and metallics. The brass footrail from the old location was even brought over to provide the same antique feel to the new bar. And then, there\u2019s the second floor, which was designed with a sparkling array of purples, greens and gold accents to mimic the excitement of Mardi Gras.\u201d<\/p>\n\n\n\n PHOTOS: Scranton Products<\/strong><\/p>\n\n\n\n\n\n\n\n ARCHITECT: <\/strong>CAW Architects<\/a> <\/p>\n\n\n\n STRUCTURAL ENGINEER:<\/strong> Rutherford & Chekene<\/a><\/p>\n\n\n\n LANDSCAPE ARCHITECT:<\/strong> Studio-MLA<\/a><\/p>\n\n\n\n CIVIL ENGINEER:<\/strong> Sandis<\/a><\/p>\n\n\n\n THEATRICAL CONSULTANT:<\/strong> Fisher Dachs Associates<\/a><\/p>\n\n\n\n ACOUSTICAL CONSULTANT: <\/strong>Kirkegaard<\/a><\/p>\n\n\n\n AUDIO CONSULTANT:<\/strong> Sonitus<\/a><\/p>\n\n\n\n The Laurence Frost Amphitheater is one of Stanford University\u2019s most legendary spaces. The historic tree-lined grass bowl was built in 1937 to host university functions and events. It evolved into a venue that hosts popular musical acts, classical concerts and addresses by dignitaries, such as Mikhail Gorbachev. In its heyday, it was a regular venue for the Grateful Dead and featured numerous well-known musical guests, such as Duke Ellington, Louis Armstrong, Creedence Clearwater Revival and Joan Baez. However, in the past few decades, the amphitheater fell into disuse because of the difficulty in producing events within its bowl, which lacked accessibility and production infrastructure.<\/p>\n\n\n\n The goal of the recent redesign was to create greater accessibility for larger acts to perform, Functionality and access were additional key aspects of the redesign. CAW Architects created new entrances to the amphitheater by designing a unique and strategically placed system of tunnels through the tree-covered slopes. Other additions included new guest amenities, an updated service and stage entrance, a stage building with a canopy cover to protect the performers, and upgraded lighting and sound infrastructure.<\/p>\n\n\n\n After almost two years of limited programming because of pandemic restrictions, Stanford Live expanded its concert series at the amphitheater, which is designed to hold up to 8,000 guests, for the 2021-22 season.<\/p>\n\n\n\n\n\n\n\n ARCHITECT:<\/strong> Johnson Architecture<\/a><\/p>\n\n\n\n INTERIOR DESIGNER:<\/strong> SK Ballard Contract Interiors<\/a> <\/p>\n\n\n\n GENERAL CONTRACTOR:<\/strong> Jenkins & Stiles LLC <\/a><\/p>\n\n\n\n OWNERS: <\/strong>Jim and Lori Klonaris<\/p>\n\n\n\n The following is a sampling of materials used in the project: <\/p>\n\n\n\nMATERIALS<\/h4>\n\n\n\n
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THE RETROFIT<\/h4>\n\n\n\n
Canyon Lodge, Yellowstone National Park<\/h3>\n\n\n\n
RETROFIT TEAM<\/h4>\n\n\n\n
MATERIALS<\/h4>\n\n\n\n
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CARPET:<\/strong> Durkan Hospitality<\/a><\/p>\n\n\n\nTHE RETROFIT<\/h4>\n\n\n\n
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of the Canyon Village Historic District, which is eligible for listing in the National Register of Historic Places.<\/p>\n\n\n\nAtlantic City Boardwalk, N.J.<\/h3>\n\n\n\n
RETROFIT TEAM<\/h4>\n\n\n\n
MATERIALS<\/h4>\n\n\n\n
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Greenwood American Kitchen & Bar, Highwood, Ill.<\/h3>\n\n\n\n
RETROFIT TEAM<\/h4>\n\n\n\n
MATERIALS<\/h4>\n\n\n\n
ago as a 5,300-square-foot auto repair shop on the corner of a busy intersection in this suburb
of Chicago. Surrounded by plenty of pavement for parking, the original brick-fa\u00e7ade building
had been altered in a manner that diminished structural integrity, and the light-industrial structure attached to it looked like little more than a tear-down. <\/p>\n\n\n\n![\"\"](\"https:\/\/i0.wp.com\/retrofitmagazine.com\/wp-content\/uploads\/2022\/05\/Screen-Shot-2022-05-04-at-1.26.53-PM.png?resize=300%2C181&ssl=1\")
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Coelette Restaurant, Jackson, Wyo.<\/h3>\n\n\n\n
RETROFIT TEAM<\/h4>\n\n\n\n
![\"\"](\"https:\/\/i0.wp.com\/retrofitmagazine.com\/wp-content\/uploads\/2022\/05\/Screen-Shot-2022-05-04-at-1.35.52-PM.png?resize=300%2C177&ssl=1\")
MATERIALS<\/h4>\n\n\n\n
LOG-JAM SYNTHETIC CHINKING:<\/strong> Sashco<\/a>
ROOFING:<\/strong> Tapersawn Western Red Cedar Shingles<\/p>\n\n\n\nTHE RETROFIT<\/h4>\n\n\n\n
restore the log structures rather than razing them. Their goal was to rehabilitate the cabin to become a vibrant, functioning place of business while ensuring its continued presence in the dwindling historic fabric of downtown Jackson. However, this goal didn\u2019t come without challenges. <\/p>\n\n\n\n![\"\"](\"https:\/\/i0.wp.com\/retrofitmagazine.com\/wp-content\/uploads\/2022\/05\/Screen-Shot-2022-05-04-at-1.36.11-PM.png?resize=225%2C300&ssl=1\")
3 Margaritas, Denver<\/h3>\n\n\n\n
RETROFIT TEAM<\/h4>\n\n\n\n
MATERIALS<\/h4>\n\n\n\n
![\"\"](\"https:\/\/i0.wp.com\/retrofitmagazine.com\/wp-content\/uploads\/2022\/05\/Screen-Shot-2022-05-04-at-1.39.05-PM.png?resize=300%2C197&ssl=1\")
Tujague’s, New Orleans<\/h3>\n\n\n\n
RETROFIT TEAM<\/h4>\n\n\n\n
RESTROOM PARTITION DISTRIBUTOR: <\/strong>Waldo Brothers Inc.<\/a><\/p>\n\n\n\nMATERIALS<\/h4>\n\n\n\n
![\"\"](\"https:\/\/i0.wp.com\/retrofitmagazine.com\/wp-content\/uploads\/2022\/05\/Screen-Shot-2022-05-04-at-1.40.58-PM.png?resize=295%2C300&ssl=1\")
THE RETROFIT<\/h4>\n\n\n\n
![\"\"](\"https:\/\/i0.wp.com\/retrofitmagazine.com\/wp-content\/uploads\/2022\/05\/Screen-Shot-2022-05-04-at-1.42.41-PM.png?resize=300%2C124&ssl=1\")
The Laurence Frost Amphitheater, Stanford, Calif.<\/h3>\n\n\n\n
RETROFIT TEAM<\/h4>\n\n\n\n
![\"\"](\"https:\/\/i0.wp.com\/retrofitmagazine.com\/wp-content\/uploads\/2022\/05\/Screen-Shot-2022-05-04-at-1.44.51-PM.png?resize=300%2C198&ssl=1\")
THE RETROFIT<\/h4>\n\n\n\n
![\"\"](\"https:\/\/i0.wp.com\/retrofitmagazine.com\/wp-content\/uploads\/2022\/05\/Screen-Shot-2022-05-04-at-1.45.06-PM.png?resize=300%2C199&ssl=1\")
as well as the ability to house student shows and various university events. CAW Architects\u2019 design mission and vision was to create a more modern experience while sustaining the beauty and serenity of the historic site. This modernization was achieved with the creation of curved tunnels for wayfinding and crowd management and a new signature curved wall that serves as a shield to the stage building beyond. A wide variety of stone and wood elements were added throughout the design to enhance the natural beauty of the tree-lined bowl.<\/p>\n\n\n\nVida & The Vault, Knoxville, Tenn.<\/h3>\n\n\n\n
RETROFIT TEAM <\/h4>\n\n\n\n
![\"\"](\"https:\/\/i0.wp.com\/retrofitmagazine.com\/wp-content\/uploads\/2022\/05\/Screen-Shot-2022-05-04-at-1.51.25-PM.png?resize=300%2C196&ssl=1\")
MATERIALS<\/h4>\n\n\n\n
![\"\"](\"https:\/\/i0.wp.com\/retrofitmagazine.com\/wp-content\/uploads\/2022\/05\/Screen-Shot-2022-05-04-at-1.51.58-PM.png?resize=300%2C198&ssl=1\")