{"id":92006,"date":"2023-10-23T09:00:00","date_gmt":"2023-10-23T13:00:00","guid":{"rendered":"https:\/\/retrofitmagazine.com\/?p=92006"},"modified":"2023-10-23T10:54:20","modified_gmt":"2023-10-23T14:54:20","slug":"custom-curved-bronze-vestibules-highlight-renovated-museum-spaces","status":"publish","type":"post","link":"https:\/\/retrofitmagazine.com\/custom-curved-bronze-vestibules-highlight-renovated-museum-spaces\/","title":{"rendered":"Custom Curved Bronze Vestibules Highlight Renovated Museum Spaces"},"content":{"rendered":"\n

The Philadelphia Museum of Art broke ground on a major renovation in 2017. World-renowned international architect Frank Gehry<\/a> designed the multi-million-dollar renovation, which is focused on opening up the museum\u2019s interior with more public spaces, more room for art and easier navigation. Critical to the success of the signature dramatic elements was the design of bronze-replica replacement windows and a series of custom-curved vestibules that showcase new museum spaces.<\/p>\n\n\n\n

Opening the Interior<\/strong><\/p>\n\n\n

\n
\"In
In addition to the windows, Hope’s Windows produced five custom bronze curved vestibules.<\/strong><\/figcaption><\/figure><\/div>\n\n\n

The museum\u2019s Facilities Master Plan<\/a> included reopening of architecturally significant spaces that have been out of the public eye for many decades. The first stage, known as the Core Project, was budgeted at about $196 million, and was completed in 2020. Major elements were completed in November 2019, including opening of the north entrance\u2014a street-level side entrance that was used when the museum opened in 1928 but had been closed off for 40 years. Also completed was a section of the museum\u2019s famous Vaulted Walkway<\/a> with an arched ceiling clad in newly restored Guastavino tiles, as well as a new caf\u00e9 and retail space.<\/p>\n\n\n\n

Detailed Window Design Process<\/strong><\/p>\n\n\n\n

Larry White, of California-based Architectural Window Design<\/a>, was working with Gehry Partners and knew that the design of the windows was crucial to meeting the architect\u2019s vision for the spaces in the Core Project. The existing bronze windows were single glazed, not energy efficient, and were experiencing serious condensation issues.<\/p>\n\n\n\n

White suggested bringing in Hope\u2019s Windows<\/a>, which provides 100 percent customized work for each project and is known for its specialized abilities to meet architects\u2019 aesthetic vision for window profiles. \u201cI have had experience with Hope\u2019s on a number of projects and I knew they could produce a replica window that combined show-stopping design with enhanced energy efficiency and condensation resistance,\u201d White says.<\/p>\n\n\n\n

Hope\u2019s Windows project manager Jim Gruber explains that the detailed window design process began when the architect shipped one of the existing original windows to Hope\u2019s factory in Jamestown, N.Y. \u201cOur research and development team went through with a micrometer gauge dimensioning of window profiles to get an exact replica,\u201d explains Gruber. The Hope’s team designed and engineered the custom-extruded window profiles and produced specific bronze extrusions for the design team. \u201cWe added our thermal evolution technology to the window frame, enhancing it with a thermal break.\u201d A vendor sourced the 65 windows for the building\u2019s lower level.<\/p>\n\n\n

\n
\"The
The team produced a partial mockup of the complex north vestibule at the Hope\u2019s factory to test whether it would meet expectations.<\/strong><\/figcaption><\/figure><\/div>\n\n\n

Custom Bronze Curved Vestibules <\/strong><\/p>\n\n\n\n

In addition to the windows, Hope’s produced five custom bronze curved vestibules. Three are being installed at the main entrance (west elevation) and one on the south elevation at an entrance primarily used by employees. The largest vestibule is for the north entrance\u2014here an existing truck entrance with wooden doors is being converted into a foot traffic area with two pairs of doors and a large shaped transom to make new park space.<\/p>\n\n\n\n

The new north vestibule features a completely unique design. There is a normal pair of doors in a plane with the exterior wall and vestibule 6 feet beyond. The doors protrude out 6 to 8 feet from the building with a glass roof overhead while incorporating the existing wood doors and transom into the design. Geary\u2019s aesthetic goal was to enhance the new entrance for new spaces being introduced to the museum.<\/p>\n\n\n\n

Hope\u2019s Windows had to meet several challenges with the north entrance vestibule, explains Gruber. \u201cThe north vestibule is the most complex and is a true showpiece. Both pairs of doors are curved on plan. The hardware has to access the radius of the unit. The curved doors are swinging, and as they move, they still have to function.\u201d Hope’s provided custom hardware, specially engineered and manufactured so all components parts and pieces function as designed.<\/p>\n\n\n\n

Gruber details the challenges: \u201cOn top there is a curved skylight that is pitched. There are also sidelights with custom drains. Gutters guide water off a slope and into inside corner tubes, so water drains out the back side behind the wing windows. This means water drainage will not interfere with the walkway.\u201d<\/p>\n\n\n\n

He acknowledged that making the interconnections work can be a challenge. \u201cYou are limited to bronze because there is no galvanic action and all the components must work in conjunction with one another. Also, the doors are automated: There is a recess box with an automatic open feature for handicapped access that was worked in with the curved-on plan.\u201d<\/p>\n\n\n\n

Hope\u2019s came up with design solutions for all the challenges they encountered. They then produced a partial mockup of the complex North vestibule at the Hope\u2019s factory to test whether it would meet expectations. The partial model was installed, glazed, and sealed on a mocked up concrete pad. Hope\u2019s placed the vestibule on the pad and met at the site of the mockup to demonstrate operations to the architect\u2019s team. After a design review meeting, Hope\u2019s revised shop drawings, produced a model, developed final shop drawings for approval, and then performed fabrication.<\/p>\n\n\n

\n
\"The
The stunning custom curved vestibules have been a major success in highlighting new and renovated museum spaces.<\/strong><\/figcaption><\/figure><\/div>\n\n\n

Bill Childers, senior associate at Gehry Partners, discussed the successful process, \u201cThis was an extremely challenging project and Hope\u2019s Windows came through with flying colors, fabricating a stunning vestibule that met our vision perfectly.\u201d<\/p>\n\n\n\n

The Hope\u2019s team continued to work hand in hand with the architect, contractors, and other trades during construction. For example, the stainless-steel grille on the floors is heated, so Hope\u2019s had to work with the concrete contractor to ensure the pitch for floor closures is in the right location. The electrical conduit runs through the frames and the team had to coordinate wiring issues. The team also had to produce physical templates for use by electrical, concrete and other trades.<\/p>\n\n\n\n

Hard Work Pays Off<\/strong><\/p>\n\n\n\n

The stunning custom curved vestibules have been a major success in highlighting new and renovated museum spaces. All agree that the hard work done during the design phase paid off. The detailed planning, including mockups and reviews of the vestibule design and operations, resulted in a stunning feature that the client is extremely proud of. During installation of the north vestibule, the museum\u2019s director of operations said, \u201cThe vestibule is beyond my expectations.\u201d<\/p>\n\n\n\n

PHOTOS: <\/strong>Steve Hall, Hall + Merrick<\/p>\n","protected":false},"excerpt":{"rendered":"

The Philadelphia Museum of Art broke ground on a major renovation in 2017. World-renowned international architect Frank Gehry designed the multi-million-dollar renovation, which is focused on opening up the museum\u2019s interior with more public spaces, more room for art and easier navigation. Critical to the success of the signature dramatic elements was the design of<\/p>\n","protected":false},"author":95,"featured_media":92007,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[213],"tags":[48209,48210,48208,48207,33582,48206,48205],"ppma_author":[48795],"jetpack_publicize_connections":[],"yoast_head":"\nCustom Curved Bronze Vestibules Highlight Renovated Museum Spaces - retrofit<\/title>\n<meta name=\"description\" content=\"The stunning 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